“And
Rachel died, and was buried on the road to Ephrath – now Bethlehem. And Jacob
set up a pillar upon her grave; it is the pillar at Rachel’s grave to this
day.” (Genesis 35:19-20)
The
tomb of Rachel our Matriarch has been recognized in its current location near
the neighborhood of Gilo, on the boundary between Jerusalem and Bethlehem, for
1700 years. In ancient times, a tombstone comprised of 12 stones, symbolizing
the sons of Jacob, was set there. Later, a cupola resting on four columns was
erected and in the 17th century Rachel’s Tomb was made into an enclosed
structure. In 1841, Sir Moses Montefiore added another room to Rachel’s Tomb.
Today, due to security constraints, the small domed building located within the
Israeli enclave in the northern outskirts of Bethlehem has been fortified.
Nonetheless, hundreds of thousands of Jews visit the site each year.
There
are two aspects to the collective Jewish memory of Rachel our Matriarch –
personal and national. The first is the tragic and sad story of her life as
described in the Book of Genesis, which serves as the basis for personal
identification with her character. The second is Jeremiah’s prophecy of
comfort, which described Rachel our Matriarch as a mother weeping over her sons
and as one whose cries tore opened the Gates of Heaven and which would
subsequently lead the way to Redemption, to the ingathering of the exiles and
to the return of the People of Israel to their land. This is the foundation of
the national Jewish identification with Rachel.
Millions
of Jews have visited the site over the generations, praying and crying to
Rachel the Matriarch to plead their case before God, requesting health, fruit
of the womb, livelihood, as well as national and general Salvation. The
simplicity of the site has charmed passersby, nomads and pilgrims for years.
They have recorded descriptions of the tomb, the site’s customs and the
experience that has developed around it, initially in writing and later through
drawings and photographs. The shape of the tomb has been depicted over the
years on Jewish art objects, on sacred books and on stamps. Talmudic tales and
legends, poems and liturgical poems, stories and plays have been written about
Rachel herself. The development of the Zionist Movement and the establishment
of the State of Israel brought about old-new aspects of tradition and meaning
to Rachel and her tomb.
When
the People of Israel returned to the site in 1967, Shmuel Rosen wrote in his
song “We Shall Not Go Again”:
“…
See, Rachel, see, see Master of the Universe / See, Rachel, see, they returned
to their Land”, and he even promised: “… We shall not go again Rachel, / and
you shall not go again, / we shall not go again Rachel, / from the cultivated
fields of Bethlehem”.

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